Music

[le_russe_satan]

The following two vids contain two pieces of music that are among my best-loved. The first is quite recent, a waltz written by Eugene Doga, a Moldavian composer, for a Russian movie 'My tender and sweet beast.'  I think it is my favourite waltz ever.

The second is a finale of 1812 overture by Tchaikovsky. I loved the whole overture even before I got into the whole Napoleonic Wars thing. ^_^ Wikipedia had a very good summary of the overture's plotline, which I'm posting as well, with the bit relevant for the finale highlighted.

The 1812 Overture.

The music can be interpreted as a fairly literal depiction of the campaign: in June 1812, the previously undefeated French Allied Army of over half a million battle-hardened soldiers and almost 1200 state-of-the-art guns (cannons, artillery pieces) crossed the Niemen river into Lithuania on its way to Moscow. The Russian Orthodox Patriarch of All the Russians, aware that the Russian Imperial Army could field a force only a fraction of this size, inexperienced and poorly equipped, called on the people to pray for deliverance and peace. The Russian people responded en masse, gathering in churches all across Russia and offering their heartfelt prayers for divine intervention (the opening hymn). Next we hear the ominous notes of approaching conflict and preparation for battle with a hint of desperation but great enthusiasm, followed by the distant strains of La Marseillaise (the French National Anthem) as the French approach. Skirmishes follow, and the battle goes back and forth, but the French continue to advance and La Marseillaise becomes more prominent and victorious - almost invincible. The Tzar desperately appeals to the spirit of the Russian people in an eloquent plea to come forward and defend the Rodina (Motherland). As the people in their villages consider his impassioned plea, we hear traditional Russian folk music. La Marseillaise returns in force with great sounds of battle as the French approach Moscow. The Russian people now begin to stream out of their villages and towns toward Moscow to the increasing strains of folk music and, as they gather together, there is even a hint of celebration. Now La Marseillaise is heard in counterpoint to the folk music as the great armies clash on the plains west of Moscow, and Moscow burns. Just at the moment that Moscow is occupied and all seems hopeless, the hymn which opens the piece is heard again as God intervenes, bringing an unprecedented deep freeze with which the French cannot contend (one can hear the winter winds blowing in the music). The French attempt to retreat, but their guns, stuck in the freezing ground, are captured by the Russians and turned against them. Finally, the guns are fired in celebration and church bells all across the land peal in grateful honor of their deliverance from their "treacherous and cruel enemies." (Wikipedia)

Comments

[grace-poppy.livejournal.com]

That's a nice recording of 1812! I grew up with a similar recording (it was one of my earliest favorite pieces of music) and I'm used to hearing it with singing, but so many recordings leave out the singing and it just sounds silly! I've never known what the words were, though. Tell me! (Here's to you, brother, hey, brother, ho?)

Actually, come to think of it, that was one of my earliest educations about the Napoleonic war, my mom telling me the story behind the 1812 Overture. Other than that, I just knew that Napoleon was a leader in France. (This was when I was very young.) And it took me AGES before I realized that the USA and Britain had their own separate "war of 1812." The same CD had "Wellington's Victory" by Beethoven, which is really a rather silly piece, but my mom explained Waterloo to me and told me the words to "Marlbrough s'en va-t-en guerre" and "Rule Britannia" which both feature in it.